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The Info Page

Contents:

 

Privacy

This is a cookie free zone. I do not use cookies to collect information about my visitors.
Information stored in server logs by my web host (Hostroute) is not used by me other than to gather anonymous statistics.
If you provide an email address I will only use this for the purpose for which you supplied it. It will not be used by me for any other purpose or passed on by me to any other person or organsiation.
If you have any concerns about privacy please get in touch.

 

Playing the audio clips

On most of the pages on this site there are audio recordings that you can listen to. There's not much point visiting otherwise!
These recordings are stored as mp3 files which most visitors should be able to play without any problems. You will find information and a 'play' button in the audio clip boxes, illustrated on the right, on each page. The information provided about each recording is from left to right; a short title, the playing time of the recording, a download and play button and the size of the mp3 file.

Note: the pages have changed appearance since I wrote this but I'm sure that you will get the idea!
The 'download & play' button has changed ends and is now a 'play' button since that is what most visitors will find happens when they click it!

For most visitors it will only be necessary to click on the button marked 'Play' and Windows Media Player will open and the file will begin to download and play.
Others may find something a little different as illustrated to the right. They should select 'open this file from its current location' and click 'Ok'. Once the download is complete the mp3 file will begin to play in the default player. For most users this will be Windows Media Player. If you do not have a suitable mp3 player,or you want something better have a look at the section below which has links to a number of players.

You can directly download and save a recording on your PC by right clicking on the Play button and select 'save target as' from the menu that appears (or it may say 'save link as' or something like that. Once saved you can play the recording anytime, even when off line. Non-broadband users (like me) may find this the best way to hear the recordings.

In the download dialogue box you can also select 'Save this file to disk' which will allow you to save a copy on your PC. If you select this you will be asked to select a location in which to save the file. Once the file is downloaded to this location you will be able to play it whenever you want.
If you remove the tick from the check box marked 'Always ask before opening this type of file' then you will not see this dialogue box again for mp3 files and the download will go ahead without any prompting from you. If you have already done this and want to change back then you can do this in the following way:
Open Windows Explorer.
Click on 'Tools' then 'Folder Options' then on the tab marked 'File Types'.
Scroll down the list of file types until you find mp3.
Click on this and then on 'Edit'.
Ensure that there is a tick in the check box next to 'Confirm open after download' and click 'Ok'.

If you have any other problems have a look at the FAQ below or if you are really stuck, send me an email.

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MP3 Players

There are a number of third party players listed below but don't forget that you can always use Windows Media Player. If you use Windows 9x, ME etc. you should already have this on your PC. You can get the latest version from the Microsoft website.

Musicmatch

This one is my own particular favourite and includes most features that I want. To get a copy click on the link below.

Winamp

Also very popular. I've not tried this one recently but, by all accounts, it is very good. Click on the link below.

Real Player

I tried this one. Didn't like it! It appears to take over your machine!

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Some technical information about the mp3 files.

So, how do I make the mp3 files? Well, as noted in 'Some Background' below I am gradually working my way through my recordings and transferring the good bits onto Audio CDs. This requires the production of a digital file (in .WAV format) from the analogue recording. I then use Musicmatch Jukebox to convert these files into mp3 format. For my own use, playing from hard disk, I sample them at 128kb/s but for use on the web to keep the file size down I use a sampling rate of 64kb/s. On many encoders anything less than 64kb/s will only give mono playback but with the latest version of Musicmatch you can go down as low as 32 kb/s and retain stereo.
I could go on at length about how I produce the digital files and probably will do one day but, until then, if anybody wants advice about how to do it, please contact me.
Briefly, all I do is connect the line output of the cassette recorder or mini disk player to the line input on the sound card in my PC then, using some software, record the track from the cassette onto the hard disk. I can then either burn the resulting WAV file onto an audio CD or produce an mp3 file. I usually do both.

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Some technical information about the recordings.

Most of the original recordings were made in stereo on cassette tape. Some of the earliest recordings were made on a mono Sony recorder. In the early '80's I used an Aiwa 'walkman' sized stereo recorder which, despite the lack of manual settings gave some remarkably good results, particularly on-train. My first serious recorder was a Marantz CP230. Recording quality was excellent but reliability wasn't! I was on to my third replacement machine in two years before I gave up and bought a Sony DC6. Not quite as good quality as the Marantz but it worked. The only maintenance it needed in 12 years use was to have coal and cinders removed from it's insides occasionally. A couple of years ago I decided that I needed to replace the DC6 and decided to try Minidisk. After an abortive attempt with a Sharp recorder I got a Sony MZ-R35. It is very convenient to use and, despite not having usable level controls (it does have manual level setting but this is almost impossible to use!) it produces very good results. However, I have to say that, under ideal conditions the DC6 was better. I would love to give DAT a try but can't afford it. And if I could afford it I couldn't really justify it for the amount of recording I do these days. Now, given a time machine........

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Some Background

Back in about 1964, soon after I first started to get interested in railways and steam locomotives - Ok, I'll admit it, it was through train spotting but that only lasted a few years. Anyway, soon after I started I recall wandering into, I think it was W. H. Smiths record department and finding a small selection of records of railway sounds and I bought one. 'Pacific Power' it was called, one of the Argo Transacord records of Peter Handford's recordings. After listening to that record I was hooked and I decided that I wanted to make some recordings.
At that time we had a tape recorder at home. A reel to reel one, this was in the days before cassettes were even a twinkle in Mr. Sony's eye, and it was about the size of two breeze blocks but only a little heavier. Worse still it was mains powered. As the nearest railway line was about 3/4 mile away this wasn't a practical proposition. Now there was a battery powered version which was only the size of one breeze block but the drawback was the cost. £49 19s 6d if I remember correctly, which doesn't sound like much unless you only got 5/- (25p) pocket money so, at the time, that goal was unattainable.
As often happens, eventually my finances caught up with my requirements and a year or so later I scraped together enough money to buy a battery operated reel to reel recorder. It only cost £19/9/6 (£19.50) from Dixons and only weighed as much as a house brick. Watch out Handford here I come! As I should have expected it was an unmitigated waste of space, time and money. Firstly, the tape recorder was cra...., sorry, not very high quality and, more importantly, I had very little idea how to use it. My first attempt was one weekday morning in the school holidays on the 11.34 Harrogate to Kings Cross which I knew to be steam hauled as far as Leeds, on this occasion by B1 61406. From a compartment in the front coach of this train, all 3 vehicles of it, I confidently stuck the microphone out of the window, probably on the wrong side for the wind, and hoped for the best. The 'best' does not describe the result. In fact 'result' is hardly appropriate either.
My next attempt was only slightly more successful. This was at the lineside near Newley & Horsforth station (on the Leeds to Shipley and Ilkey line). At this time there was plenty of freight about, most of it still steam hauled, and in the space of a couple of hours I had recorded the passage of perhaps a dozen trains. Ok, most of them were not making much noise when they passed me but there was one train, hauled by an 8F which made plenty of noise restarting from a signal check. Well, due to the aforementioned cra..., poor quality recorder it was hardly possible to tell what most of the recordings were supposed to be and the 8F, well, you could hear it, just. Very disappointing.
After that experience, apart from one very successful recording session some years later with a borrowed Uher reel to reel recorder that I couldn't afford to buy, many years were to go by before I made the attempt again which is why I have no 'real' BR steam recordings.
It was in the late 70's when steam hauled railtours were beginning to become more frequent that I made my next foray into railway sound recordings. By this time the technology had improved, although breeze blocks were still lighter than the recorder I bought, and I knew only a little more about the technique required. I would have done far more recording in these early days had it not been for the breeze block. By the time I had added my photographic equipment, food, beer, etc. to the pile required for a day out, adding something the size of a breeze block frequently was not an option. Rescue arrived in about 1982 when I spotted in a Hi-Fi shop a reasonably priced Aiwa 'Walkman' sized cassette player that actually recorded. It was wonderful! I no longer have it as I passed it on to a friend (Hi Ken!), but as far as I know it is still going strong. With a decent microphone the quality was good the only drawback being the lack of any manual control of recording level. But it was so convenient to carry and use and use it I did. It accompanied me everywhere and, gradually, getting a recording became more important than the photography and film making that had been important in the past. Since then I have worked my way through various recorders culminating in my current Mini Disk recorder and, since getting serious about recording in the early 80's I have amassed something like 700 hours of recordings on 400 cassettes and a growing pile of mini disks.
Right from the start I edited the recordings that I made down to compilations of the best bits and spent hours editing the recordings using two tape decks. This editing process was not always easy. I remember spending one entire Sunday afternoon editing a particular recording of 777 'Sir Lamiel' on a Welsh Marches Express. The particular recording in question was of the start from Abergavenny and the ensuing climb to Llanvihangel. It was a really good recording, the only problem was that, soon after the start, someone (you know who you are!) standing next to me in the corridor of the front coach coughed! So, I attempted to remove the cough by editing it out. The technique was this: Using two tape decks I would record from the original tape the first part of the track to beyond the cough. After rewinding both tapes I would play the newly recorded tape up to a point just before the cough and pause it there. Then I would start the original recording and, just after the cough, start the second recorder thus missing out the cough. This, if done carefully was extremely successful however, the problem was that it was impossible to tell how successful it was until the entire track had been recorded which took 15 minutes or so each time. Sometimes the editing was obvious but, with a lot of trial and error I managed to get this track just right, without the cough. Some time later I gave a copy of the edited tape to the person responsible for the cough in the first place, he had already had a copy of the unedited tape complete with his cough and, after he had heard the edited copy he commented to me that he was glad I had managed to get rid of the cough from the original. He told me that it had been really annoying him every time he listened to it and it was only after he had listened to the track quite a few times that he realized that he was the perpetrator!
Nowadays, such an edit would be the work of a few moments and would be completely undetectable first time thanks to the wonderful world of digital audio editing.
Which brings us nearly up to date. Right from when CD audio recordings first appeared I wanted to get my audio recordings on CD. One problem with having 700 hours of cassette tape is that every time you put the cassette into a deck you can never be 100% certain that you will be able to get it back out again in an undamaged state as cassette decks have been known to chew up tape. Add to this the fact that recordings on tape do deteriorate over time and the advantage of CD becomes obvious.
Once again, eventually, technology, finances and my requirements coincided so I am now able to achieve yet another goal and I am gradually working my way through all those recordings, digitizing them and putting the results on audio CDs. So far I have 20 or so and plenty more to do. I have also been converting these tracks to mp3 files which give excellent results coupled with a small file size. In mp3 format at near CD quality I can get the contents of up to 10 audio CDs on a single data CD. Which brings us, finally, to this web site.
In the past I have always passed round copies of recordings, originally on cassette and now on CD, to friends and acquaintances so this web site is a logical extension of that.
I hope that you enjoy it.
Also, have a look at Why have you done all this? in the FAQ.

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Buying CDs & using PayPal

If you visit my CD pages and want to buy one (please!) you will see that I now allow payment through PayPal.
I originally did this primarily to make things easier for overseas customers who have to pay an arm and a leg to get a sterling money order. I am quite happy for UK customers to use this facility but, as there is a small charge (approx. 5%) to me if you do, payment by cheque is still the preferred method!
If you have never used PayPal before you may be a little dubious about signing up for an account. Handing over your credit card details on the internet still does worry some people but both services offer a secure environment for transactions and, so far, I have had no difficulty with their service. About 80% of my sales are now through PayPal.
If you want more information I would strongly recommend that you visit their web site (PayPal) and have a look at the help pages. This should answer all your questions about using this service and setting up your account.
If you open an account with PayPal (an account is not required unless you expect to receive money) they do make a small charge to you when you first register your credit card, currently less than £2.00 but this should be refunded to your account when you make your first payment.
You do not need to give them your Bank Account details unless you expect to need to withdraw funds from your account.
The answers to most questions that you will have will be found on the help pages but if you have any other questions please do not hesitate to contact me and I will do my best to answer them.

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FAQ


Do you hate Yahoo Groups?
If the answer is yes then you are not alone apparently! Quite a few of you have not joined the mailing list simply because I have been using Yahoo. Well, now I can understand why and, so that you are not left out, I have decided to set up my own list.Details here.

Why can't I hear anything?
The first question to ask is; can you hear sounds on your computer anyway? If the answer is no, then it is really beyond the scope of this FAQ to sort that one out for you. However, as a simple test have a look in Control Panel (Start Button, Settings, Control Panel) and click on the Sounds Icon. Select one of the events. Is the small 'Play' button near 'Preview' greyed out? If it is, then you need to sort out your sound card installation. If it isn't, select a sound from the drop-down list and then click play. Did you hear anything? If you didn't then go to the the Volume Control (Start, Programs, Accessories, Volume Control or double click the small speaker icon in the system tray at the right hand end of your task bar). Check that the setting of the sliders is correct and that both Wave and Volume are not muted. If that didn't fix it then I'm afraid you are on your own! Sorry. Ok, if you are really stuck drop me an email.
So, assuming that your sound set up is Ok and you can hear some sounds from your computer then the next most likely problem is the lack of a suitable player. If this is the problem then go to this section and download one. If you think that you have a player but the tracks are still not playing then ensure that the file type mp3 is registered to this player. Download an mp3 file (see above) then start Windows Explorer and locate the file you have just downloaded. Double click it. Your player should start and begin playing. If it doesn't you will get a dialogue headed 'Open With'. Scroll down until you find your mp3 player, select it and select 'Always use this program to open this file' before clicking Ok. Even if you do not have a dedicated mp3 player you should have Windows Media Player which will probably be listed as 'mplayer'.
The last possibility is that the file downloads are not completing properly. When the Internet is very busy or you have a slow connection you may find that, on occasion downloading 'times out' before finishing. If this happens to you you should try again. On the second or subsequent attempts if you save the file in the same location and with the same name you may find that the download restarts from where it left off - this is called 'resuming' and some servers support it. There are also some software download accelerators that you can install to assist this process. I don't use one so can't advise you what to use but a search with your favourite search engine should find them.
If after all this you are still not getting any sound then, like you, I'm rather stuck. You really need an expert. If you solve any problems that I haven't covered please tell me about it and I'll add it to this FAQ.

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Why does it take so long before I hear anything?
When you click on the 'Download & Play' button that is exactly what happens. First the mp3 file downloads to your PC then your player starts and only then does the track start to play. The downloading part can take quite a long time.

What to do when downloads keep failing?
I can guarantee that while downloading a recording, on occasion the download process will fail. Sometimes it will just stop part way through and not move. Sometimes it will terminate with an error message saying something like 'connection with server lost' or something about having timed out. Welcome to one of the frustrations of using the www otherwise know as the World Wide Wait! The internet is a very busy place with files of all kinds flying around the place in droves. It's no wonder things go wrong from time to time. However, when this happens to you, don't panic, all is not lost, probably. Some web space providers support something called 'resuming'. Resuming does exactly what it says on the tin. If you get part of a file downloaded and try again it will resume from where it left off. So, if you get 9 minutes into a 10 minute download and everything stops, try again, you may find that you still only have another minute to go. Make sure that you save the file in the same location as the last time. If you still get problems there are a number of pieces of software that you can download, often for free, which will help. These are often called download accelerators or download managers. The best known is Getright and when I get round to it I'll provide a link. Until then, any search engine should find it for you. If even this doesn't do the trick then you can always contact me, there may be alternatives.

Can I keep a copy of an audio clip?
Yes, of course you can. There are instructions for downloading a copy above in the 'Playing the audio clips' section. Just remember that I retain copyright.

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Can I get a better quality copy?
Yes, of course you can. To save space these mp3 files are encoded at a low sample rates. I have then at CD quality mp3 and as tracks on Audio CD. Contact me and let me know what you want.

Can I put audio clips on a CD?
Yes, of course you can. BUT you may only put the original mp3 file on a CD with the ID3 tag unchanged. You may NOT write the file to an audio CD. If you want an audio CD or want to use one of the tracks on an audio CD contact me or see my CD page.

What is an ID3 tag?
An ID3 tag is part of an mp3 file that contains information about the recording such as the track title, cover art, etc. If you have a suitable player you can access this information. Musicmatch will display tag information.

Have you got a recording of ......?
Back in the 80's I was out travelling behind steam on the main line most weekends. It cost me a small fortune! If I'd continued doing this right through the 90's it would have cost me a large fortune so I have more from the 80's than from the 90's. Most of the 80's recordings are on-train main line steam. Later recordings tend to feature either preserved railways or lineside recordings of main line steam.
If you travelled on a particular train and want to know if I have recordings please contact me - you never know.
Likewise, if you require a particular recording for some reason or are trying to put together a commercial product, contact me. I'll be delighted to help, especially for money!

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Your text is too small (or too large).
Look for the button at the top of the page. If you click it you should get a larger size of text. This feature requires Java to be enabled for your browser and will probably mess up the formatting but at least, you should be able to read the text.
If, on the other hand, you find my text too large then you should sit further away from the monitor!

How often do you update these pages?
It is my intention to update these content of these pages every couple of months. But we all know what happens to intentions. If you would like to be informed when I change the content you can subscribe to the steamsounds mailing list.

How can I get in touch with you?
Of course. See Contact Information below.

Why have you done all this? (Have you read 'Some background?)
What a really good question. Phrases like, 'because I don't get out much', 'because I don't have a life' or even 'because I'm a sad b...........d' spring to mind. But the real reason is 'because I enjoyed it all so much!'. Back in the 80's and early 90's I thoroughly enjoyed the time I spent travelling behind steam on the main line. It was a very enjoyable part of my life during which I made some very good friends, met a lot of interesting people, visited a lot of interesting places, travelled through Bramhope Tunnel quite a lot and, not to put too fine a point on it, enjoyed myself. At the time I always used to pass around copies of my recordings and now, thanks to the Internet, I can share them with even more people. If that makes me a sad b.......d, then Ok, that's me! And, you never know, perhaps someone who I knew back in those days and haven't seen for far too many years will see this and get in touch. By the way, I've shaved off the beard!

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Other languages?
If English isn't your first language try one of these translation services:
Google (I use this one).
Lycos
Systransoft (Works best if you register).

Other questions?
Who am I? David Bailey, the ex-photographer, Scarborough Spa Express season ticket holder, amateur train driving computer simulation programmer, amateur (very) web page designer, and once upon a time time editor of HLPG News and the Steam Sun!
Any other questions - contact me.

Email Problems?
I get a suprising number of feedback messages, requests for details of the CDs, list subscriptions etc. that, when I try to reply I find that the email address provided doesn't work!
Often this is due to the senders mail box being full or simply the a mistake in the address. In adition AOL seems sometimes to have a problem with some email addresses refusing email. So, if you use AOL and don't get a reply, it may be due to this. One easy solution is to get an alternative email address from another provider. Hotmail and Yahoo spring to mind.
To try to ensure that everyone who contacts me can get a reply I have set up an automated reply to each request. Providing your email address is valid and working you should get an almost instant responce which will tell you that I have recieved your message. If you do not get this then there may be a problem.
If you want to test your email address to ensure that everything is working enter your address in the box below and press send. If everything is OK you should get an automated responce within a matter of minutes. If you don't you may have a problem!

Email address (Your email address will not be recorded or stored by me.)
Contact Information.
If you want to get any further information about anything on this site, request a recording or tell me about your railway sounds site then you can contact me using the feedback page.
The steamsounds email list.
If you would like to be informed by email when the steamsounds web site is updated then join the steamsounds mailing list. You will generally only receive emails when the site is updated. Your email address will not be used by me for any other purpose or passed on by me to any third party and you can unsubscribe at any time. You can subscribe from the home page or see this page for details. Need any help with this? Contact me.
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